(1971). Webster's Third International Dictionary.

(1985). The Compact Edition of the Oxford English Dictionary. Oxford University Press.

Akin, O. and Weinel, E.F. (1982). Representation and Architecture. Information Dynamics.

Alberti, L.B. (1988). On the Art of Building in Ten Books (Translated by Rykwert, J., Leach, N. and

Tavernor, R.) Massachusetts Institute of Technology Press. Aristotle, (1951). Aristotle's Theory of Poetry and Fine Art. Dover.

Aristotle, (1973). Aristotle De sensu and De memoria (Translated by Ross, G.R.T.). Arno Press. Arnheim, R. (1969). Visual Thinking. University of California Press. Baldinucci, C.F. (1681). Vocabolario Toscano dell'Arte del Disegno (Edited 1809). Opere. Barthes, R. (1988). The Semiotic Challenge. Hill and Wang.

Beckmann, J. (1998). The Virtual Dimension: Architecture, Representation, and Crash Culture. Princeton Architectural Press.

Bilda, Z. and Gero, J.S. (2005). Does Sketching Off-Load Visuo-Spatial Working Memory? In Studying Designers ' 05 (edited by J.S. Gero and N. Bonnardel), pp. 145—159. Key Centre of Design Computing and Cognition, University of Sydney. Bonta, J.P. (1979). Architecture and its Interpretation: a Study of Expressive Systems in Architecture. Rizzoli. Broadbent, G. (1973). Design In Architecture. John Wiley and Sons. Buchler, J. (ed.) (1955). Philosophical Writings of Pierce. Dover Publications. Calvino, I. (1988). Six Memos for the Next Millennium. Harvard University Press. Collingwood, R.G. (1964). The Principles of Art. Oxford University Press. Coulton, J.J. (1977). Ancient Greek Architects at Work. Cornell University Press. Croce, B. (1970). Aesthetic. MacMillan.

Culler, J.D. (1986). Ferdinand de Saussure. Cornell University Press.

Dal Co, F. and Mazzariol, G. (1984). Carlo Scarpa, The Complete Works. Electa/Rizzoli.

Eco, U. (1976). A Theory of Semiotics. Indiana University Press.

Eco, U. (1985). Faith in Fakes. Secker and Warburg.

Eco, U. and Sebeck, T.A. (1983). The Sin of Three: Dupin, Homes, Pierce. Indiana University Press.

Evans, R. (1986). Translations From Drawing to Building. AA Files, 12, pp. 3—18.

Filarete, (1965). Treatise on Architecture (Translated by Spencer, J.R.). Yale University Press.

Fraser, I. and Henmi, R. (1994). Envisioning Architecture: an analysis of drawing. Van Nostrand Reinhold.

Fuess, R. (1982). Epiphany: To the First Sketch in Modern Literature. Daidalos, 5, pp. 23—6.

Gadamer, H-G. (1989). Truth and Method. Crossroad.

Gibson, J.J. (1979). The Ecological Approach to Visual Perception. Houghton Mifflin Company.

Gibson, J.J. (1982). Reasons for Realism: Selected Essays of James J. Gibson (Edited by Reed, E. and Jones, R.).

Lawrence Erlbaum Associates. Goel, V. (1995). Sketches of Thought. Massachusetts Institute of Technology Press. Gombrich, E. (1984). Art and Illusion. Princeton University Press. Gombrich, E. (1985). The Story of Art. Prentice-Hall. Heidegger, M. (1962). Being and Time. Harper.

Hewitt, M. (1985). Representational Forms and Modes of Conception. Journal of Architectural Education,

39/2, pp. 2-9. Jung, C.G. (1968). Man and His Symbols. Dell.

Kahn, L.I. (1991). Writings, Lectures, Interviews. Edited by Latour, A. Rizzoli.

Kearney, R. (1988). The Wake of the Imagination: toward a postmodern culture. University of Minnesota Press.

Langer, S.K. (1957). Problems of Art. Charles Scribner. Lauer, D.A. (1979). Design Basics. Holt Rinehart and Winston.

Le Corbusier, (1981). Le Corbusier's Sketchbooks Volumes 1—4. MIT Press and the Foundation Le Corbusier.

Lethaby, W.R. (1974). Architecture, Mysticism and Myth. The Architectural Press.

McQuaid, M. (2000). Envisioning Architecture: Drawings from the Museum of Modern Art. University of Minnesota Press.

Meisenheimer, W. (1987). The Functional and the Poetic Drawing. Daidalos, 25, pp. 111— 20. Merleau-Ponty, M. (1962). Phenomenology of Perception (Translated by Routledge, C.S. and Kegan, P.) The Humanities Press.

Merleau-Ponty, M. (1964). Primacy of Perception: and other Essays on Phenomenological Psychology, the

Philosophy of Art, History and Politics. Northwestern University Press. Mitchell, W.J.T. (1986). Iconology: Image, Text, Ideology. The University of Chicago Press. Hölzinger, J.P. et al (1982). Questioned About First Sketches. Daidalos, 5, pp. 35—60. Oechslin, W. (1982). The Well-Tempered Sketch. Daidalos, 5, pp. 99—110.

Pierce, J.S. (1967). Architectural Drawings and the Intent of the Architect. Art Journal, 27, pp. 48—59.

Piotrowski, A. and Robinson, J.W. (2001). The Discipline of Architecture. University of Minnesota Press.

Reidemeister, A. (1982). The Sketch as a Practical Instrument. Daidalos, 5.

Robbins, E. (1994). Why Architects Draw. Massachusetts Institute of Technology Press.

Santayana, G. (1961). The Sense of Beauty, Being the Outline of Aesthetic Theory. Collier Books.

Schön, D. (1983). The Reflective Practitioner: How Professionals Think in Action. Basic Books.

Smith, K.S. (2005). Architect's Drawings: A Selection of Sketches by World famous Architects Through History.

The Architectural Press. Sorabji, R. (1972). Aristotle on Memory. Duckworth.

Summers, D. (1981). Michelangelo and the Language of Art. Princeton University Press. Suwa, M., Gero, J. and Purcell, T. (1999). Unexpected Discoveries: How Designers Discover Hidden Features in Sketches. In Visual and Spatial Reasoning in Design (edited by J.S. Gero and B. Tversley), pp. 1—18. Key Centre of Design Computing and Cognition, University of Sydney, Sydney, Australia. Tschumi, B. (1994). Architecture and Disjunction. Massachusetts Institute of Technology Press. Vesely, D. (1985). Architecture and the Conflict of Representation. AA Files, 8, pp. 21—38. Vesely, D. (1987). Architecture and the Poetics of Representation. Daidalos, 25, pp. 24—36. Walker, J.A. and Chaplin, S. (1977). Visual Culture. Manchester University Press. Wollheim, R. (1971). Art and Its Objects. Harper and Row. Wollheim, R. (1974). On Art and the Mind. Harvard University Press.


Was this article helpful?

0 0

Post a comment