Figure |
Page number |
Source/Credit |
Frontispiece |
ii, xvi |
John Ashurst |
Jerash |
xxiii |
Gionata Rizzi |
I.2 |
xxv-xxvii |
John Ashurst |
I.3 |
xxviii |
Michael Williams |
I.4 |
xxviii |
Agence photographique Roger-Viollet |
Short story |
xxxii-xlii |
John Ashurst |
Pevensey |
xxxix |
John Ashurst |
Kirby Hall |
xxxix |
Graham Abrey |
Hatshepsut |
xxxx |
Asi Shalom |
Parthenon |
xxxx |
Catherine Woolfitt |
Tel Beit She'an |
1 |
John Ashurst |
Stoa of the Athenians |
1 |
Catherine Woolfitt |
Pompeii |
2 |
Catherine Woolfitt |
Herculaneum |
2 |
Gionata Rizzi |
2.0 |
10 |
John Ashurst |
2.1 |
12 |
John Ashurst |
2.2 |
13 |
Chris How |
2.3 |
14 |
John Ashurst |
2.4-2.7 |
14-17 |
Chris How |
2.8-2.10 |
17-18 |
John Ashurst |
2.11-2.22 |
20 -24 |
Chris How |
2.23 |
25 |
John Ashurst |
2.24-62 |
26-43 |
Chris How |
3.0 |
44 |
Graham Abrey |
3.1-3.10 |
55 |
Graham Abrey |
3.11 |
57 |
John Ashurst |
3.12-3.14 |
62, 63, 67 |
Graham Abrey |
3.15, 3.16 |
69, 72 |
Graham Abrey, based on drawings by WS Atkins |
3.17 |
73 |
Graham Abrey |
3.18 |
74 |
Graham Abrey and John Ashurst |
3.19 |
75 |
Plowman Craven Associates |
3.20 |
77 |
Graham Abrey and John Ashurst |
4.0 |
82 |
Catherine Woolfitt |
4.1-4.5 |
84-90 |
John Ashurst |
4.6, 4.7, 4.8 |
91, 92 |
Colin Burns |
4.9-4.17 |
92-100 |
John Ashurst |
4.18-4.27 |
101-105 |
Colin Burns |
4.28-4.35 |
106-110 |
John Ashurst |
4.36-4.38 |
111-112 |
Colin Burns |
4.39-4.43 |
112-116 |
John Ashurst |
4.44, 4.45 |
117, 118 |
Colin Burns |
4.46, 4.47 |
118, 119 |
John Ashurst |
4.48, 4.49 |
120, 121 |
Colin Burns |
4.50-4.69 |
122-139 |
John Ashurst |
4.70 |
140 |
Asi Shalom |
4.71-5.76 |
141-144 |
John Ashurst |
5.0 |
146 | |
5.1 |
149 |
Graham Abrey |
Figure |
Page number |
Source/Credit |
5.2-5.4 |
151-153 |
Catherine Woolfitt |
5.5 |
154 |
Asi Shalom |
5.6, 5.7 |
155, 156 |
Catherine Woolfitt |
5.8 |
157 |
John Ashurst |
5.9-5.13 |
161-165 |
Catherine Woolfitt |
5.14, 5.15 |
166, 167 |
Courtesy of Museum of London Archaeology Service |
5.16, 5.17 |
169, 170 |
John Ashurst |
5.18 |
172 |
Graham Abrey |
5.19-5.23 |
173-180 |
Catherine Woolfitt |
5.24, 5.25 |
181, 182 |
Orit Bortnik |
5.26 |
182 |
John Ashurst |
5.27, 5.28 |
183, 184 |
Courtesy of the Austrian Archaeological Institute |
5.29, 5.30 |
185 |
John Ashurst |
5.31 |
186-189 |
Catherine Woolfitt |
6.0 |
194 |
Courtesy of The Blackburn Museum |
6.1-6.8 |
196-203 |
John Ashurst |
6.9 |
204 |
Colin Burns |
6.10-6.12 |
205, 206 |
John Ashurst |
6.13 |
210 |
Sara Ferraby and John Ashurst |
7.0 |
212 |
John Ashurst |
7.1-7.12 |
213-229 |
Jason Bolton |
7.13 |
230 |
Courtesy of the Archaeological Diving Company |
7.14, 7.15 |
231, 232 |
Jason Bolton |
8.0 |
234 |
Colin Burns |
8.1 |
236 |
John Ashurst and Colin Burns. Reproduced courtesy of Getty |
Conservation Institute | ||
8.2-8.8 |
237-245 |
John Ashurst |
9.0 |
246 |
Asi Shalom |
9.1 |
250 |
John Ashurst |
9.2 |
251 |
Amanda White (2005) |
9.3a |
252 |
John Ashurst |
9.3b |
252 |
Elisabeth Vause |
9.4, 9.5 |
253, 254 |
John Ashurst |
9.6, 9.7 |
256, 257 |
Helen Thomas (2005) |
9.8 |
258 |
John Ashurst |
9.9, 9.10 |
259 |
Peter Ranson |
9.11 |
262 |
John Ashurst |
10.0 |
264 |
John Ashurst |
10.1-10.14 |
266-278 |
Catherine Woolfitt |
10.15, 10.16 |
279, 280 |
INNPA |
10.17-10.20 |
281-285 |
John Ashurst |
10.21-10.24 |
286-289 |
Asi Shalom |
10.25 |
289 |
John Ashurst |
10.26 |
290 |
Catherine Woolfitt |
10.27-10.30 |
291-293 |
John Ashurst |
10.31-2.33 |
293-294 |
Asi Shalom |
10.34-10.45 |
295 -305 |
John Ashurst |
11.0 |
306 |
John Ashurst |
Appendix 1 |
309-311 |
John Ashurst, first appeared in Mortars, Plasters and Renders in |
Conservation (1983), J. Ashurst, Ecclesiastical Architects' and Surveyors' | ||
Association, London | ||
Appendix 2 |
319-324 |
John Ashurst |
Appendix 2 |
326 -330 |
Information provided by Mann Williams acting as term consultants |
for CADW | ||
A4.1 |
332 |
John Ashurst |
A4.2-A4.4 |
335 -336 |
Reproduced with permission of the Daughters of the Republic of Texas |
A4.5, A4.6 |
337 |
Rachel Sabino-Gunaratna |
Knowlton Church and Rings are a good example of a Scheduled Ancient Monument in England. Located in the ancient landscape of Cranborne Chase and surrounded by barrow cemeteries and earthworks, the church is eleventh century but much altered in the fourteenth century. Remarkably, it stands within a well-preserved ceremonial Neolithic Henge monument of c. 2500 BC. Consolidation of flint core work, tamping and pointing, the use of rendered brick structural supports and bronze corbel bars are classic interventions of the Ancient Monuments Division of the Ministry of Public Building and Works (c. 1950). Scale by Sam the retriever.
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