Tuttle

scan: The Stainless Steel Cat

Published in 2005 by Tuttle Pubfishirg, ar imprint of Reriplus Fditiors (HK) Ltd, with editorial offices at 130. Joo Seng Road, #06-01/03, Sirgapore 368357

Copyright © 2C05 Periplus Editions (HK) Ltd Photos © 2005 Peri pi us Editions (HK) Ltd Project Co-ordinator: Kaoa.' Múrate

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic., mechanical, photocopying, recording or otherwise without prior permission of the publisher.

LCC Card No: 2005298891 ISBN 0 8048 3592 6 Printed in Sirgapore.

Dislributed by;

Noith America, Latin America and Europe Tuttle Publishing, 364 Innovation Drive, North Clarendon. VT 05759-9436, USA Tel (802) 773 8930: fax (802) 773 6993 Fmail: [email protected] www.tullleptjblishing.com

Asia Pacific

Berkeley Books Pte Ltd, 130 Joo Seng Read #06-01/03. Singapore 368357 Tel: (65) 6280 1330; fax: (65) 6280 6290 Email: [email protected] www.periplus.corT',.sg

Japan

Tuttle Publishing, Yaekari Building, 3F¡ 5-4-12 Osaki, Shinagawa-ku, Tokyo 141-0032

Tel: 81(03) 5437 0171; fax: 81(03) 5437 0755 Fmail: tuttle-salestSgol.com

Indonesia

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Blok A-14/17. Jakarta 14240

Fmail: [email protected]

Front cover: The locus of traditional Japanese design is on space, and on how each object placed in space changes it dynamically. Architectural details are often bckl, but designed so as to rot detract from this space.

Back cover: The roan seen through this single paneled screen (tsu/tate) is a mere five square meters in area, but appears expansive due to the use of simple low furniture and uncluttered lines.

Half-title page: Japanese design strives to achieve a dynamic balance in ikebana as well as other arts. The concept of symmetry, so important to Western design, is considered static, and consciously avoided in Japan.

1 ¡tie page: Lit from underneath, the glass floor of the tofonoinc alcove adds a dramatic modem note to the otheiwise traditional muted colors and natural materials of this room.

This page: furniture—such as this display alcove, shelves and cupboards are built into the room to achieve unobstructed space. The bold dark lines of the wood frames and tatami mat borders work with vertical and horizontal planes to create an intensely calm effect.

TUTTLE PUBLISHING® is a registered trademark of Tuttle Publishing

CONTENTS

What is Japanese about a Japanese House? 8 A Tea Master's Dream Lives On 20 Summer Style in a Kyoto Machiya 38 Exuberant Spontaneity in an Interior in Osaka 52 House of Ikebana 68

A Kaga-style Teahouse to Sooth the Soul 76 A Celebration of Lacquer Craft 88 Coming Home to an Old Machiya 98 Antiques Find a New Home in an Old Minka 108 A House with a Cosmopolitan Interior 120 A Potter Meets His Minka 132

An Old Farmhouse Gears up for the Future 138 A Home in Snow Country 146 A Sukiya-style Setting for an Art Gallery 160 An Old Parlor with an Old Tree 170 The Evolution of a Modem Home 178 A Cottage Shaped by Old Memories 184 A Room for Viewing Light and Shadows of Life 190 A Tribute to Masters of Modernism 196 A House with a View of Mount Asama 204 A New House and a Tree 214 Acknowledgments and Bibliography 224

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